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Home History of the West Native Americans “Horse Nation” Exhibition Premieres At Smithsonian in New York

“Horse Nation” Exhibition Premieres At Smithsonian in New York

Elaborate horse trappings, clothing and photographs on display at the National Museum of the American Indian

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For those who appreciate the history of the West's Native peoples, the Smithsonian's National Museum of the American Indian in New York (www.americanindian.si.edu) has a new exhibition that is reason enough to book a flight to the Big Apple.

Opening Saturday, Nov. 14, "A Song for the Horse Nation" vividly details the enduring relationship between Native people and the horse with personal accounts and a spectacular array of objects.

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Starting with the return of the horse to the Americas in 15th century, the exhibition traces how Native people adapted the horse into their cultural and spiritual lives and integrated it into their geographic expansion, warfare and defense.

"Even though the pinnacle of the horse lasted only a century, this exhibition details how Native people rapidly integrated the horse into their lifeways, quickly becoming among the best mounted soldiers in the world," said Kevin Gover (Pawnee/Comanche), director of the National Museum of the American Indian.

"A Song for the Horse Nation" will present 98 works, including elaborate horse trappings, clothing and photographs and will close July 7, 2011. The exhibition will then continue at the National Museum of the American Indian in Washington, D.C. from October 2011 through January 2013. Afterward, the exhibition is expected to tour nationally through the Smithsonian Institution Traveling Exhibition Service program (SITES).

Originally native to the American continent, horses became extinct but were reintroduced by the Spanish, and later by the French, English and Dutch-beginning with Columbus' second voyage in 1493. Native people soon adopted the horse and became some of the world's best horsemen.

Horses were used to enhance trade, expand territory, facilitate hunting and wage war. Included in the exhibition will be a Lakota winter count (ca. 1902) by Long Soldier (Hunkpapa Lakota) that depicts when horses were first sighted by the community.

Paired with the introduction of the gun, the mounted Plains warrior was a formidable fighter, upsetting old alliances among the tribes and frustrating European advances. Young men proved their valor through the horse raid, where they captured horses from enemy camps.

A special feature of the exhibition will be a display of three rifles belonging to celebrated Native leaders' Geronimo (Chiricahua Apache), Chief Joseph (Nez Perce) and Chief Rain-in-the-Face (Hunkpapa Lakota).

"A Song for the Horse Nation" includes a Springfield U.S. Model .55 caliber trapdoor carbine, owned by Chiricahua Apache leader Goyathlay (Geronimo), ca. 1875. The Apache leader evaded capture by the U.S. government for over a decade as he and his followers fought against the encroachment by the U.S. and Mexico onto tribal lands. Later in life, Goyathlay (Geronimo) became a celebrity, appearing at the 1904 World's Fair in St. Louis as well as riding in the inaugural parade of President Theodore Roosevelt in 1905.

Also included will be a Winchester Model 1866 .44 caliber carbine, owned by Chief Joseph of the Nez Perce, ca. 1880. Chief Joseph was a humanitarian and peacemaker. When the U.S. government ordered the Nez Perce to leave their homeland and relocate onto a reservation, Joseph and the other Nez Perce chiefs made the decision to move their people north to Canada. With 2,000 soldiers in pursuit, Joseph and other Nez Perce chiefs led 800 Nez Perce toward freedom at the Canadian border. For over three months, the Nez Perce outmaneuvered and battled their pursuers traveling 1,700 miles across Oregon, Washington, Idaho, Wyoming and Montana, before Chief Joseph formally surrendered to General Nelson Appleton Miles on October 5, 1877.

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Also featured will be a Sharps .45 caliber rifle, owned by Hunkpapa Lakota chief Rain-in-the-Face, ca. 1880. Rain-in-the-Face was a celebrated war chief among the Lakota. As an adult, Rain-in-the-Face joined with Chief Sitting Bull and was among the leaders responsible for the defeat of General George Armstrong Custer and the U.S. 7th Cavalry Regiment at the 1876 Battle of Little Bighorn.

But the exhibition is really about the horse and Native Americans.

Horses became integrated in Native American cultural and spiritual life, representing the primary virtues of agility, grace and beauty. The exhibition includes a graceful dance stick (ca. 1890) by No Two Horns (Hunkpapa Lakota), created to honor his horse that died at the Battle of Big Horn.

Later, the rise of reservations, the U.S. Army's calculated destruction of American Indian ponies and government policies that forced Native people to adopt farming eroded the day-to-day relationship of Native people and horses. Despite these changes, the horse's place in Native culture and memory remains strong.

The Crow Nation has actively maintained its horse traditions and others, like the Nez Perce, are engaged in rebuilding their horse breeds and revitalizing their equestrian way of life. The Future Generations Ride that involves Native youth has evolved from The Big Foot Memorial Ride, held as a healing ride to honors those massacred at Wounded Knee in South Dakota.

"This exhibition, which traces the accomplishments and identity of Native people and the horse, perfectly complements our previous exhibition about Native women's dresses, ‘Identity by Design,'" said John Haworth (Cherokee), director of the Heye Center. "We are so proud to be premiering this exhibition, which will travel the country, here in New York."

"A Song for the Horse Nation" includes many examples of elaborate horse trappings, including a dazzling horse crupper adorned with exceptionally fine quillwork (Cree or Red River Metis, ca. 1850) and clothing adorned with images of the horse, such as a colorful Lakota baby bonnet (South Dakota or North Dakota, ca. 1900).

New work has also been commissioned for the exhibition.

A dazzling horse mask, with yellow, blue-gray and dark-red quillwork and trimmed with fresh-cut feathers, was created by Juanita Growing Thunder (Assiniboine/Sioux). The work is based on a 19th century Northern Cheyenne quilled horse mask, also included in the exhibition.

"A Song for the Horse Nation" was curated by museum curator Emil Her Many Horses (Oglala Lakota). An accompanying publication edited by Her Many Horses and the scholar George P. Horse Capture (A'aninin) is available at the museum's shops and the museum's Web site.

The Smithsonian National Museum of the American Indian in New York, the George Gustav Heye Center is located at One Bowling Green in New York City, across from Battery Park. The museum is free and open every day from 10 a.m. to 5 p.m., and Thursdays until 8 p.m. For information, call (212) 514-3700 or visit the museum's Web site at
www.americanindian.si.edu .


 
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